-New York Classical Review
“Edwards curated a sweeping program that made for an illuminating survey of the last century of American keyboard music, which she performed with intelligence and virtuosity.”
"Best of all, though, was Noctuary for piano – a 25-minute set of variations on Scott Joplin – originally intended for the ballet but dazzling enough in Emiko Edwards’s scintillating performance."
"She moved easily from sheer strength and chiseled articulation, a dexterous ringing sound in the fast music, and a streamlined elegance throughout.”
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